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Jahrgang 27 (2016), Ausgabe 1

Focus on Comic Representations in Post-Millennial British and Irish Fiction. Focus Editor: Barbara Puschmann-Nalenz

Table of Contents

Table of Contents open-access

Focus on Comic Representations in Post-Millennial British and Irish Fiction. Focus Editor: Barbara Puschmann-Nalenz

Introduction open-access

Barbara Puschmann-Nalenz

Seite 5 - 17


Innocent Abroad open-access

Jonathan Coe's ‘Expo 58’ and the Comedy of Forgiveness

Jean-Michel Ganteau

Seite 19 - 29


Nick Hornby's Melancholy Comedy open-access

Andrew Tate

Seite 31 - 44


"Show me a novel that's not comic …" open-access

Howard Jacobson's ‘The Finkler Question’

Christoph Houswitschka

Seite 45 - 59


When the Professor Loses His Faculties open-access

Uses of the Comic in David Lodge's Novel ‘Deaf Sentence’

Heinrich Versteegen

Seite 61 - 72


Sunlight and Dark open-access

Humorous Shades in Ian McEwan's Later Novels

Peter Childs

Seite 73 - 83


A Proletarian Comedy of Menace open-access

Martin Amis's ‘Lionel Asbo’

Susanne Peters

Seite 85 - 97


"Et in Arcadia ille – this one is/was also in Arcadia" open-access

Human Life and Death as Comedy for the Immortals in John Banville's ‘The Infinities’

Barbara Puschmann-Nalenz

Seite 99 - 111


The Use of Comic Effects in Memoirs of British Asian Adolescence open-access

21st- Century Writers Looking Back at the 1970s and 1980s

Merle Tönnies

Seite 113 - 124


"Man haf fe do wha man haf fe do" open-access

Humour and Identity (Re)Formation in Bernardine Evaristo's ‘Mr Loverman’

Stephan Karschay, Joanna Rostek

Seite 125 - 136


Elements of Satire and Romantic Comedy in a Portrayal of British Society at the Beginning of the Millennium: Sebastian Faulks's ‘A Week in December’ open-access

Marion Gymnich

Seite 137 - 148


More Than Just an Effect open-access

The Comic in British Women's Contemporary Short Stories

Ulrike Zimmermann

Seite 149 - 162

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