Volume 28 (2017), Issue 2
Focus on Performing the Renaissance. Focus Editor: Sidia Fiorato
Table of Contents
Table of Contents open-access
Focus on Performing the Renaissance. Focus Editor: Sidia Fiorato
Introduction: Performing the Renaissance – The Art of Forms open-access
Page 5 - 16
The Inns of Court and the Performance of a Legal and Social Paradigm open-access
Page 17 - 22
Black and White and Red All Over open-access
Bloody Performance in Theatre and Law
Page 23 - 33
Performing Richard II's Self-Deposition Scene open-access
Page 35 - 46
Per’form‘ing through Forms in Shakespeare's and Branagh's ‚Hamlet‘ open-access
Page 47 - 62
“It isn't what I hoped” open-access
Shakespeare and the Performance of Kingship in Bartlett's ‘King Charles III’
Page 63 - 76
Gloriana's Queer Skull open-access
The Matter of Life and Death in ‘The Revenger's Tragedy’
Page 77 - 85
Boy Actors on the Shakespearean Stage open-access
Subliminal or Subversive?
Page 87 - 111
Anne Boleyn's Performance of Femininity: ‘The Tudors’ open-access
Page 113 - 128
Performing the Child Motif in Kurzel's ‘Macbeth’ (2015) open-access
Page 129 - 137
Performing Crime as Catharsis open-access
‘Julius Caesar’ in a High Security Jail
Page 139 - 146
Freud's Footnotes and Renaissance Metaperformativity open-access
Richard Haydocke, King James, and William Shakespeare as Interpreters of Dreams
Page 147 - 162
Immersive Shakespeare Productions open-access
Page 163 - 174
Articles
Water, Light, and Color open-access
Painting and Alchemy in Byatt's ‘A Lamia in the Cévennes’
Page 175 - 183
