Jahrgang 29 (2018), Ausgabe 2
Focus on The First World War Then and Now: Literatur, Theatre, and The Arts. Focus Editors: Sherrill Grace, Martin Löschnigg, Waldemar Zacharasiewicz
Front Matter
Front Matter open-access
Seite 1
Table of Contents
Table of Contents open-access
Seite 3 - 5
Focus on The First World War Then and Now: Literatur, Theatre, and The Arts. Focus Editors: Sherrill Grace, Martin Löschnigg, Waldemar Zacharasiewicz
Introduction: The First World War, Then and Now open-access
Seite 7 - 10
Vera Brittain: A Pacifist's Progress open-access
Seite 11 - 18
A Bestselling War open-access
The Novels of Jennifer Robson
Seite 19 - 29
Poetry Remembers open-access
Contemporary Poets and the First World War
Seite 31 - 42
David Jones and His Great War Epic open-access
Seite 43 - 50
"The War is a Sitting Target" open-access
The Theatre Workshop's ‘Oh What a Lovely War’ (1963)
Seite 51 - 59
From the Erasure 'Art' of World War I Canadian Postcards to Art in the Age of Mechanical Reproduction open-access
Seite 61 - 71
"They Had No Choice" open-access
Images of Equines in the Great War
Seite 73 - 81
Representations of Return open-access
Preset War Narrative Arcs from Woolf to Robinson
Seite 83 - 89
The Affective and Ideological 'Faces' of the Great War open-access
Facial Disfigurement and Cultural Memory
Seite 91 - 104
Articles
Violence and Its Visual Representation in Pat Barker's ‘Double Vision’ open-access
Seite 105 - 126
A Challenge to Whiteness open-access
The Development of a Maculate Aesthetic in Gail Jones's ‘Sixty Lights’
Seite 127 - 143
"A Silent but Impressive Language" open-access
The Public and Private Lives of Charlotte of Mecklenburg-Strelitz
Seite 145 - 156
Reviews
Reviews open-access
Seite 157 - 187
List of Contributors
List of Contributors open-access
Seite 189 - 190
Style Sheet
Style Sheet open-access
Seite 191
Call for Donations
Call for Donations open-access
Seite 192
