Jahrgang 30 (2019), Ausgabe 3
Focus on Monsters and Monstrosity in 19th-Century Anglophone Literature. Focus Editors: Gero Guttzeit and Natalya Bekhta
Front Matter
Front Matter open-access
Table of Contents
Table of Contents open-access
Focus on Monsters and Monstrosity in 19th-Century Anglophone Literature. Focus Editors: Gero Guttzeit and Natalya Bekhta
Introduction open-access
Seite 5 - 16
What’s in a Monster? open-access
Seite 17 - 26
“The Plastic and Prolific Creature” open-access
Macranthropic Monstrosity, Good’s Lucretius, and Shelley’s ‘Frankenstein’
Seite 27 - 44
The Temporal Monstrosity of the Wandering Jew in ‘Melmoth the Wanderer’ open-access
Seite 45 - 56
(Haunted) Cosmopolitan Spaces open-access
World Literature, the Modern Ghost Story, and the Structure of Debt
Seite 57 - 72
Female Mental Illness, Monstrosity, and Male Medical Discourses open-access
Revisiting ‘Jane Eyre’
Seite 73 - 88
Sonic Monstrosity and Visionary Women open-access
Female Speaking Automata and Mass Mediation in Late-19th-Century British Science and Fiction
Seite 89 - 105
Epideictic Rhetorics, Queer Spatiality, and Monstrous Sexuality in ‘The Beetle’ open-access
Seite 107 - 119
The Morlock-Eloi Illusion open-access
Shifting Monstrosities in H.G. Wells’ ‘The Time Machine’ in the Context of the Degeneration Discourse
Seite 121 - 133
Afterword open-access
‘Monstrous Reading’ as an Interpretative Practice
Seite 135 - 139
Articles
Benevolent Masters, Despicable ‘Renegados’ open-access
Relativizing Portrayals of Muslims in British Barbary Captivity Narratives, 1595-1739
Seite 141 - 156
“Out of Order” open-access
18th-Century Perceptions of Debauchery in the Trial of Father Gerard, and Henry Fielding's Drama ‘The Old Debauchees: or, The Jesuit Caught’
Seite 157 - 167
Permissible Murder and Preempted Agency open-access
Francis Clifford’s Cold War Spy Fiction
Seite 169 - 177
Reviews
Reviews open-access
Seite 179 - 189
List of Contributors
List of Contributors open-access
Seite 191 - 192
Style Sheet
Style Sheet open-access
Seite 193 - 194
