“A Magic Frieze of the Past”

(R)Evoking Borders in Michael Hughes’s ‘Country’ (2018) and Sarah Moss’s ‘Ghost Wall’ (2018)

Caroline Lusin

Seiten 85 - 99

DOI https://doi.org/10.33675/ANGL/2023/3/9

open-access

This publication is distributed under the terms of the Creative Commons License Attribution - NonCommercial - NoDerivatives 4.0.