Front Matter open-access

Table of Contents open-access

Introduction: Diversity on the Stage English-Canadian Drama in the New Millennium open-access

Albert Rau, Martin Kuester

Seite 5 - 12

Canadian Drama in the New Millennium open-access

Inherited and Evolving Dramaturgies

Jessica Riley

Seite 13 - 22

“We acknowledge our past but look to the future” open-access

First Nations Theater in the New Millennium

Birgit Däwes

Seite 23 - 32

Asian Canadian Theatre open-access

An Emerging Field in the 21st Century

Eury Colin Chang

Seite 33 - 45

Ten African-Canadian Plays To Watch (Catch) Thus Far This Century open-access

George Elliott Clarke

Seite 47 - 57

“They’ll Shoot Us If We Do This Play.” open-access

The Limits of Free Speech in Canadian Theatre

Jason Sherman

Seite 59 - 67

Queering the Stage/Queer Stages – LGBTQ Plays from Canada open-access

Michael Heinze

Seite 69 - 80

Revisi(ti)ng ‘Animal Farm’ and ‘The Cherry Orchard’ open-access

Adapting Classics for a Neoliberal, Postcolonial Canada

Guillermo Verdecchia

Seite 81 - 92

Translated Québec Theatre in the New Millennium open-access

Established Authors and a Few New Trends

Nicole Nolette

Seite 93 - 103

Transporting Canadian Plays to German Theatres open-access

Albert-Reiner Glaap

Seite 105 - 114

Staging Teen Life in the New Millennium open-access

Canadian “Issue Plays” for High Schools

Albert Rau

Seite 115 - 130

Relational Minds open-access

Reconceptualizing Identity in Theory and Fiction

Renate Brosch

Seite 131 - 150

Arguing with the Coloniser open-access

Linguistic Strategies in John Jacob Thomas’s ‘Froudacity’ (1889)

Jana Gohrisch

Seite 151 - 163

Variably stressed ‘-ion’-words open-access

Alexander Tokar

Seite 165 - 181

Reviews open-access

Sandra Dinter, William E. Engel, Sascha Pöhlmann

Seite 183 - 188

List of Contributors open-access

Seite 189

Style Sheet open-access

Seite 191 - 192