Volume 27 (2016), Issue 1
Focus on Comic Representations in Post-Millennial British and Irish Fiction. Focus Editor: Barbara Puschmann-Nalenz
Table of Contents
Table of Contents open-access
Focus on Comic Representations in Post-Millennial British and Irish Fiction. Focus Editor: Barbara Puschmann-Nalenz
Introduction open-access
Page 5 - 17
Innocent Abroad open-access
Jonathan Coe's ‘Expo 58’ and the Comedy of Forgiveness
Page 19 - 29
Nick Hornby's Melancholy Comedy open-access
Page 31 - 44
"Show me a novel that's not comic …" open-access
Howard Jacobson's ‘The Finkler Question’
Page 45 - 59
When the Professor Loses His Faculties open-access
Uses of the Comic in David Lodge's Novel ‘Deaf Sentence’
Page 61 - 72
Sunlight and Dark open-access
Humorous Shades in Ian McEwan's Later Novels
Page 73 - 83
A Proletarian Comedy of Menace open-access
Martin Amis's ‘Lionel Asbo’
Page 85 - 97
"Et in Arcadia ille – this one is/was also in Arcadia" open-access
Human Life and Death as Comedy for the Immortals in John Banville's ‘The Infinities’
Page 99 - 111
The Use of Comic Effects in Memoirs of British Asian Adolescence open-access
21st- Century Writers Looking Back at the 1970s and 1980s
Page 113 - 124
"Man haf fe do wha man haf fe do" open-access
Humour and Identity (Re)Formation in Bernardine Evaristo's ‘Mr Loverman’
Page 125 - 136
Elements of Satire and Romantic Comedy in a Portrayal of British Society at the Beginning of the Millennium: Sebastian Faulks's ‘A Week in December’ open-access
Page 137 - 148
More Than Just an Effect open-access
The Comic in British Women's Contemporary Short Stories
Page 149 - 162
Articles
Revisiting Europe open-access
American Constructions of Europe in Poetry of the 20th and 21st Centuries
Page 163 - 174
At the Crossroads of the Global and the Local open-access
Suggested Future Directions for 21st-Century ELT
Page 175 - 184
