Volume 34 (2023), Issue 3
Focus on Border Narratives. Focus Editors: Kirsten Sandrock and Lars Klein
Front Matter
Front Matter open-access
Table of Contents
Table of Contents open-access
Focus on Border Narratives. Focus Editors: Kirsten Sandrock and Lars Klein
Border Narratives open-access
Page 7 - 18
The Border Turn in Literary Studies open-access
Border Poetics and Figurations of Border Crossings
Page 19 - 34
Beyond the Anglosphere open-access
Some Thoughts on Why Anglistics Should Consider Contemporary Literature in German
Page 35 - 51
The Kinopolitics of Recent Irish Border Fiction open-access
Page 53 - 67
“‘over the road,’ ‘over the water’ and ‘over the border’” open-access
Political, Social, and Mental Borders in Anna Burns’s ‘Milkman’ (2018)
Page 69 - 83
“A Magic Frieze of the Past” open-access
(R)Evoking Borders in Michael Hughes’s ‘Country’ (2018) and Sarah Moss’s ‘Ghost Wall’ (2018)
Page 85 - 99
Michael Hughes in Conversation with Caroline Lusin open-access
(‘The Irish Itinerary’ Podcast 30, 24 February 2022)
Page 101 - 110
“No Happiness without (B)order” open-access
Brexit Hauntology, Collective Ecstasy, and Transgression in Niall Griffiths’s ‘Broken Ghost’ (2019)
Page 111 - 124
Border Aesthetics, Resistance, and Europeanness in David Greig’s “Anti-Brexit” Theatre open-access
Page 125 - 140
Adaptation as Border-Crossing Practice in Ali Smith’s ‘Autumn’ (2016) open-access
Page 141 - 154
The Representation of External and Internal Borders and Their Interaction with National Identity in Ali Smith’s Seasonal Quartet open-access
Page 155 - 170
Boats and Borders open-access
Floating Identities in John Lanchester’s ‘The Wall’ (2019)
Page 171 - 183
Afterword open-access
Page 185 - 188
Articles
“Top notes of gluten-free oatcakes, middle notes of humid sheets and a base note of despair” – Stories of Long Covid in ‘The Guardian’ open-access
Page 189 - 216
“… all those pretty pebbles on the shoreline of knowledge” open-access
Fashioning the Limits of Knowledge in Science Popularisation
Page 217 - 233
Regency Era Englishness for the Netflix Generation open-access
‘Taboo’ (2017-present) and ‘Bridgerton’ (2020-present)
Page 235 - 248
Reviews
Reviews open-access
Page 249 - 280
List of Contributors
List of Contributors open-access
Page 281 - 283